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Constanza

My exhibition explores the concept of individualism and identity through vivid, contrasting colors to express how each being’s identity is constructed through thoughts, memories, and emotions. My aim is to portray how the interplay of our past, present, and future influence our understanding of one’s self and the world around us. Through mostly 2D artworks depicting people, portraits and natural objects and a mix of realistic, stylized and abstract styles, I used varied techniques and materials to show  the beauty that every living being is unique in its visual appearance, energy and spirit. My intention is to make the audience pause, reflect, and engage with the complexity of identity and perception. 

My work began with an exploration of the beauty of individualism in the world around one. Within the concertina piece “Oneness”, inspired by various photographs taken around my school, including a close-up of a berry bush. These berries also inspired the still life painting “Berries” and my ceramic sculpture “Vitis Vinifera”, also inspired by Yayoi Kusama’s use of polka dots as a representation of how from a distance a piece of work can be appreciated as a whole, but upon closer inspection each berry or sphere reveals itself as distinct. My work took a shift when I decided to work with bold colors as a key element of my theme, symbolizing human emotions. I started working with vibrant colors in the long horizontal piece “Transitions”, in which I used acrylic paint to create a never ending sunset. This painting was quite challenging, as I struggled to create a smooth transition between tones and colors, but techniques like dry brushing and wet-on-wet painting helped me achieve the desired effect. This blending techniques then helped me achieve an exaggerated effect in the series of the two large paintings, identical in size, “Daydreaming” and “Aura”, in which I painted two self portraits, one from a photograph of me as a toddler and a current photograph of me as a teenager. In this painting I continued using luminous colors to highlight emotional growth over time. This gave me the inspiration for the series of pieces “Infra”. Through the use of layered colored cards and vivid contrasts I aimed to mimic the effect of infrared light photographs of my classmates, reflecting their unique thermal patterns. Allowing for visualization and appreciation of their emotions and unique experiences in life, of which together form their identity. 
 

My exhibition consists of a linear layout of display boards in a zigzag configuration, with three main entrances, offering multiple viewing angles. When looked from the front the viewer can see the dual series of self portraits framed with the white edges of the display boards, which introduces the theme of admiration of identity, as they can observe myself as a toddler admiring her future version. Then guided through the circular structure of the sculpture “Vitis Vinifera”, the audience’s eyes are then directed to the left to the pieces “Directions” and “Berries” , where their elongated forms and vibrant colors are placed solitary within a white space. This changes to the further left of my exhibition as I grouped “Connections” and “Oneness” because both of them include organic forms and the use of neutral and darker colors. When the audience views my exhibition from a side view, they can observe the elongated painting of “Transitions” that although it was meant to be horizontal, due to the limited space it drops down from the top of the panel, which adds on to the neverending effect of the continuous sunset. This pairs well with the series of infrared pieces set within a squared singular white background, as both colors use vibrant and rich colors, catching the viewers attention and producing a sense of harmony. 

Through this exhibition I want the audience to gain a deeper appreciation of how nature has created each person and living object as distinct as each develop differently through the natural passing of time. I intend for the viewers to reflect on their own authentic characteristics that make up who they are by observing the use of luminous and radiant colors as the visual representation of human feelings and energy, evoking a sense of introspection. 
 

 

 

Oneness (September 2023)

(Gesso, masking tape, ink, acrylic paint, markers on paper) 

88 x 28 cm

Oneness is a concertina piece that attempts to show that every living thing around us has a history, a past, a present, and a future. Inspired by Karen Stamper’s use of outlining the shape of the body to show the form of a human. I did this by using tracing paper to imprint the form of the body of the individuals from my pictures. This directs the viewers' attention to just the form of an individual and encourages them to further reflect on the person’s life based on their personal experience. 

 

 

 

Berries (October 2023)

Acrylic on Wood 

60 x 16 cm 

Berries is a long-format piece reimagining a composition from one of the artwork “Berries”. Instead of replicating the image, the berries are shown in their natural environment to reflect their abundance and individuality. inspired by Dutch still life paintings, it invites reflection on life’s fragility. Through contrasting colors and lighting, I aimed to evoke realism. From a far, the painting looks like a field of berries, yet each berry is distinct up close.

Directions (June 2024)

Wood, Acrylic 

93  x 27 cm

Directions represent my theme of individualism, how everyone and everything has their own path and a story to tell. Inspired by artist Golsa Golchini and her use of small human figures and minimalistic aesthetic in her paintings to represent this concept. In my painting I used acrylic paint to create contrasting black/white tones in the background creating a crosswalk and painted small humans walking across, with marked brushstrokes for texture, to symbolize individualism in our daily routine. 

 

 

Transitions (October 2024)

Acrylic on canvas 

360cm x 120cm 

Transitions explores my concept of individuality, but in a more abstract way. Using a sunset to represent the uniqueness within nature’s colors, and how one color found in nature can never be found again. Within my painting, based on my own photograph, I worked with blending of color techniques influenced by Anish Kapoor’s moiré effect to create a wave-like, 3D pattern through shadow and light. 

 

 

 

Daydreaming (March 2025)

Acrylic on wood 

80 x 120 cm

Daydreaming is a self-portrait of the baby version of me, which will be gazing at the future me in the piece Aura, wondering what her future will look like when she’s older. Reusing the previous technique of blending vibrant acrylic colors on wood and inspired by Kate Revill’s use of vibrant colors and her interplay between pop art and impressionism, I wanted to give the piece a surreal effect. 

Aura (December 2024)

Acrylic, Plywood 

Aura is a self-portrait created with acrylic on plywood. Inspired by Andy Warhol’s use of vibrant tones and Fauvist exploration of emotional expression, I use the technique of blending bold, non-traditional colors to highlight the emotions and individual presence of a person rather than its appearance, emphasizing my theme of individuality. I used new blending techniques, scale, and dynamic contrast using a vibrant palette to represent my Identity and personality. 
 

 

 

 

Connections (January 2024)

Charcoal

50 x 60 cm 

Connections showcase how the neurological structure and connections of our brain determine how each individual interprets their unique version of reality. My main inspiration for this piece was Greg Dunn’s piece “Self Reflected” which makes the brain come to life and showcase the beauty of its neurological pathways and connections. The use of light and shadow helps add depth and dimensions of the nuanced structure of neural pathways.

Vitis Vinifera (December 2023) 

Ceramics

20 x 20 x 63 cm

Vitis Vinifera uses contrast with textures and organic forms to represent the imperfections in nature and how every individual living being is unique. Inspired by controversial Japanese artists such as Yayoi Kusama and Harumi Nakashima they use dots as a representation of organic forms. Dots (spheres) represent how in every landscape, when looked closely it contains small individual pixels (dots) that are distinctive and unique, a clear representation of individualism. 

 

 

Infra (March 2025)

Card paper, Plywood, Acrylic 

56 x 68 cm

Infra is a grouping of 9 unique pieces, each of which represent different classmates under an infrared light. Through layering pieces of card paper and the use of vivid, radiant colors, I aim to represent the unique patterns of thermal energy and emotional layers that make up our identities. For this piece I was greatly inspired by Chuck Close’s study of the face’s visual elements by breaking them down into blocks of color and pattern.