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Wiktoria

My body of work explores the journey of aging. Struggling with accepting the idea of growing old myself, I decided to depict my emotions through the detailed, stencil-based portrait titled “Woman” which became the beginning of the sequence of pieces centered around this theme. 

Wanting to further portray the aging process, yet in a more celebratory way, I experimented with different techniques such as painting, digital work, ceramics, charcoal drawing and collage. It was important for me to include a part of my identity in my work which I did through using self-generated photographs of myself and my family members as I progressed with my work.

Inspired by the work of Andy Warhol, I initially worked with stencils and paint. However, upon investigating the work of Chuck Close I experimented with geometry as seen in my mosaic-inspired portraits including “Age is just a number” and “Self-portrait”. Through the portrayal of emotions and facial expressions I encourage embracing changes of our bodies rather than focusing on the unstoppable process of aging. 

I followed my theme as I continued producing my next pieces, as seen in my recent ceramic sculpture titled “Antipodes”. In this pair of body-resembling sculptures I was aiming to depict the concept of the emotions that accompany signs of aging represented in the form of a physical figure. The two bodies and their contrasting textures reflect two opposite mindsets - one sorrowing over its body being wrinkly and the other one flourishing as it embraces its no longer youthful condition. 

My exhibition is laid out in an L-shaped space. The placement of ‘Age is just a number’ in the middle of the wall, along with its size and bold subject, brings the audience’s attention to it, which is done purposefully as that is the main piece of my exhibition. The two colorful portraits with similar format were placed along its sides in order to balance out the space. “Faces” and “Hands” were placed on the smaller wall as they both have a thicker frame surrounding them which worked well together in an aesthetic manner. The digital piece consisting of two images  was placed on a small, hidden brick wall that I chose to make use of as well, making sure the oversaturation  of the pieces doesn’t overpower the exhibition. I placed the ceramics sculptures  on a small plinth in the exhibition space to ensure they are not overlooked.

 

 

“I’m scared” (February, 2022)

Digital print

 30 x 30 cm (x2)

This piece is inspired by my journey towards the acceptance of growing up. Influenced by Martial Raysse and his unusual use of color in portraits, I edited self-generated photographs of my own face by distorting their hues and saturation. The focus on my gaze and lips allows the two images to represent the anxiousness and fear of the future that is part of my daily life. The overexposure of the photos alongside bright neon colors further portray the chaos of my young mind.

 

 

Faces (June, 2022)

Tyvek, Acrylic paint

60 x 140 cm
This piece is inspired by Woman. Wanting to continue illustrating the fear of growing old, I created a stencil based on a photograph of an old woman I edited in photoshop. I then used the stencils to create three copies of the photograph in three different colors to represent the different stages of aging: pain, fear and acceptance. Inspired by Warhol’s series of self-portraits I followed the theme of repetition and limited use of color in order to create an impactful yet simple piece.

 

 

 

 

Self-Portrait (March, 2022)

Coloured crape paper on paper

86 x 60 cm

This piece is inspired by a photograph of me as a little girl; a childhood memory. Further influenced by Chuck Close’s use of geometric shapes to create realistic portraits, I edited the photo into a pixelated map of orange and brown tones and then recreated it by collaging crape paper squares of each color onto a paper base. By presenting my delicate smile and gentle glance I wanted to represent the innocence and peacefulness of infancy where the future is only a mere thought and not a worry.

Hands (February, 2022)

Charcoal and chalk on paper

21 x 29 cm


This piece is inspired by a photograph I took of a human hand touching a wooden hand to represent nostalgia towards our younger selves. I was inspired by Henry Moore who depicted his aging hands in the piece The Artist’s Hand II. I have created a visually interesting composition which I have then edited to be black and white. I recreated the picture using charcoal and chalk to depict the lightness and the darkness of the piece, bringing attention to the details of the human skin.

 

 

 

Woman (April, 2022)

Tyvek, Acrylic paint

 30 x 50 cm

This piece is inspired by a photograph of an older woman I have distorted in photoshop and separated into layers. Influenced by Andy Warhol, I used contrasting colors to create a print-like portrait. I experimented with different techniques of creating stencils to transfer paint onto tyvek and finally layered shades of purple onto each other to create a realistic yet simplified image representing the beauty and pain of aging as well as the reminiscence towards the younger versions of ourselves.

 

 

“Antipodes” (March, 2022)

Ceramics, Glaze

 12 x 5 x 5 cm (x2)

This pair of sculptures is inspired by body poses reflecting melancholy and solitude. Upon sculpting human figures, I morphed them in a way that still resembles the original body while creating an abstract design. Influenced by Barbara Hepworth I pierced the pieces simultaneously representing the emptiness of a soul that does not accept its body aging. The contrasting textures reinforce the concept of opposites - a young and a more mature body - both suffering from the fear of growing old.