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Sofie

This exhibition includes a collection of artworks that pay homage to the adrenaline-pumping world of Formula 1. I have chosen F1 as my subject as it can be considered an obsession of mine. The exhibition is representational and detailed, where some of the artworks include texture. In the pieces I focus on the perfection of the reflections and the lettering to be able to create the complex imagery. I have explored photorealism, this is a genre of art where the artwork is based on a photograph and reproduced as realistically as possible. At the same time, I have made the backgrounds of the paintings abstract, to allow the photorealistic objects to protrude from the surface.

The ceramic sculpture, Sphere with Cut Outs, was my first artwork I created that happens to be the only three dimensional piece in my exhibition. This piece inspired me to look further into F1 as the shape of the sculpture represents the shapes within the sport, like the wheels or the helmet. From this I created my first representational artwork on F1. This was a charcoal and chalk drawing, Verstappen Helmet,  based off of a photograph I had taken of a miniature F1 helmet I own. This influenced me to then continue looking into F1 through creating large scale photorealistic pieces. For the most part I have used acrylic paint and the grid technique to be able to create accurate angles and perspectives which was inspired by Davis Cone with his more industrial photorealistic paintings which look into reflections and the shine of various materials. I have created two complete black and white pieces, where the Formula 1 Crash painting is the only composition that has a car coming slightly off of the side of the frame, following the rule of thirds. Another, Verstappen Celebration, is predominantly made from the colors red, yellow and blue, due to the colors of the logo of the Red Bull team. For this painting I was inspired by Chuck Close’s gridded compositions and decided to split the composition onto six separate canvases. While the majority of the artworks are black and white that include an aspect of the composition to have bright colors like red and yellow, to be able to create a clear contrast between the backgrounds and foregrounds. Furthermore, I was inspired by Gerard Richter who is known for creating abstract paintings using his squeegee technique for the backgrounds from the F1 motion, Senna Red and the Textured Mini Cars. These blurred backgrounds were created to show movement and portray the intensity and energy of the sport. I added two more charcoal drawings, Schumacher Ferrari and Verstappen vs Hamilton,  of the same size but landscape instead of portrait to be able to bring back the drawings, so that I could create one wall with sketches. 

I exhibited my artworks in a rectangular room with a show window on one wall, hence I ensured that the viewpoint came from that side. When entering the space the focal point piece would be my Verstappen Celebration painting. I will also display my charcoal drawings together, to make it look as a series of drawings, especially as they are the only drawings I have created and they are all similar sizes. I will place these next to the Verstappen Celebration painting as the drawings are monochrome and will not distract from the vivid colors on the painting. On another wall will be my largest piece F1 Motion, by itself. The last wall will contain the final.  I will display the Red Bull car cut-out on the ground as if it were driving, this makes this 2-dimensional piece have a 3-dimensional feel to it. Furthermore, for my sculpture I will place a plinth that has an industrial look, that displays my sculpture. This stand will tie in with the industrial look of the cars. 

I intend my audience to capture the speed, excitement and beauty of this sport and to visualize the amount of detail and the complexity of F1. Lastly, I ensured that the compositions have a viewpoint that makes it as if the viewer was in the crowd to be able to create the sense of excitement and danger. 

 

 

F1 Motion (October, 2022)

Acrylic on canvas

124 cm x 232 cm

Here I painted Max Verstappen’s car, which is my favourite F1 driver, based off of a photo from The New York Times. The background was inspired by Gerhard Richter using the squeegee technique which he is known for. I combined this abstract technique with a very detailed car to be able to contrast the two from one another. I then used lines like Tim Layzell on top of that layer to show the movement of the car. I decided to make this a large piece for the background to jump out at the audience.

 

 

Verstappen Helmet (02/2022)

Chalk and charcoal on paper

46 x 61 cm

This first artwork is where I started to look into Formula 1 because it is one of my main interests. For this piece I took a photograph of the mini copy of the Formula 1 driver, Max Verstappen's helmet. I then used that as a reference to create a photorealistic drawing on paper using charcoal based off of my favourite photograph I had taken.

 

 

 

 

Formula 1 Crash (May, 2022)

Acrylic on wood

105 x 71 cm

This artwork was inspired by Chuck Close’s photorealistic black and white paintings and I aimed to make the piece as photo realistic as possible. I also liked how many of his paintings were made in black and white. This piece is based on a photograph of a crash from Fernado Alonso’s while he was driving for Mclaren. I wanted to show how dangerous the sport is, therefore I decided to paint a crash.

Verstappen vs Hamilton (03/2023)

Chalk and charcoal on paper

61 x 46 cm

Here I drew the crash where Verstappen ended up being on top of Hamilton. I drew this as I wanted to show the intense rivalry between the two drivers. I also wanted to make another drawing that would link back to the drawing I started off with for this theme.

 

 

 

Verstappen Celebration (November, 2022)

Acrylic on canvas

150 cm x 100 cm

For this painting I was inspired by the mural of Louis Hamilton made by Eduardo Kobra in Rua Dr. Thirso Martin 211 - VIla Mariana. I decided to paint an image I took from the FIA website of Max Verstappen (F1 driver) on 6 separate canvases to create a more interesting piece which could be seen as a puzzle coming together. I also placed the sheet of canvas on a wooden frame for the painting to have a more 3D effect.

 

 

Senna Red (January, 2023)

Acrylic and sand on wood

125 x 122 cm

I started by adding thick layers of paint in different shades, where some of the paint had sand added to it, to create a texture that is more visible on top of the wooden board. Then I depict one of the most iconic Formula 1 drivers, Ayrton Senna, in a realistic style on top of this background. Doing so brought the texture into Senna's face, making him look more realistic.

 

Red Bull Car Cut-Out (June, 2022)

Acrylic on wood

72 x 166 cm

This piece was based off of Verstappen in his Red Bull car coming out of the pit street. I traced the outline of the car on a piece of wood and cut it out, to be able to have the car as the full focus, instead of including a background with it. I also created the piece at an angle so that it looks more realistic as the car looks less stiff. I wanted this to be black and white to have the red stand out, to make it a more appealing piece. The purpose of this piece was to show the beauty and detail of the cars. 

 

 

Schumacher Ferrari (03/2023)

Chalk and charcoal on paper

61 x 46 cm

For this drawing I wanted to draw Michael Schumacher in his older F1 car, to be able to also show that this sport has evolved and to be able to show one of the legends of F1. I also drew this because it would allow me to create a wall with several monochrome charcoal drawings. To make them seem as a series that comes together, to look like a bigger artwork when placed with the other charcoal drawings.