Alice
My body of work explores the aspect of mental health which I try to show through abstract art techniques. In year 1 my work explored addiction, and that theme led me to mental illnesses and how they affect people daily. Mental illnesses are disabilities that are invisible to the eye, they are disabilities that live in the mind, affecting the person’s vision and impression of life. I used repetitive patterns throughout my pieces. Mental illnesses have become more and more present in our everyday lives, as technology and medical sciences get more precise everyday, more and more people are diagnosed with various disorders that will change their lives. As an individual who suffers from various mental illnesses, this was a very important theme for me.
My work is mostly 2D and uses an abstract style. I used mostly acrylic paint to create large flat areas of colors, geometric or organic shapes and they were overlain with concentric lines, mostly curved, sometimes geometric, but always with a contrasting color, black or white. This created almost an optical illusion feeling of imbalance in my pieces sharing instability of mental conditions. My concentric lines and patterns are either drawn with posca pen, sewn with thread or painted, normally serendipitous. My pieces are quite spontaneous and experimental. I discovered different ways to create shapes and patterns that I could use to make my art pieces more interesting, such as using a string dipped in paint before dragging it on a canvas to create an abstract shape. I was greatly inspired by the abstract paintings of Wassily Kandisky and Frank Stella, the concentric circular motifs and shapes of Robert Delaunay and his wife Sonia Delaunay. The use of a wide range of bright colors was a really important part of my exhibition and I used a repetitive color scheme all throughout my exhibition.
I tried to create an environment that submerges you in my universe. This was done through the repetition of patterns, and by the different sizes and shapes of the pieces. The space given to me is a corner that I transformed into my own special universe. The paintings are exposed depending on the scale, the audience walks in from two entry points, each showing two large scale paintings. All throughout my exhibition there is a clear color palette. The artist Yayoi Kusama inspired me gravely to create this exhibition, the parallels in her work with mental illnesses, the repetition of patterns, colors and the whole room engulfing the audience.
The intention of my exhibition is to show the audience how mental illnesses can impact your everyday lives. How even the most beautiful moments, like a sunset, can be ruined by anxiety or other illnesses, as shown in my painting sunset in a panic attack in which concentric lines engulf and superimpose over the landscape. I tried to show how tiring and filling it can be to have a disease impacting you every day. I used big spaces for a lot of my pieces that I filled with a lot of small details, and concentric linear patterns to show how much your brain fills up and “overheats” in a way because of anxiety and depression. A lot of teenagers have mental illnesses and are found to be hurting or anxious about small problems that over fill their lives and their minds. My exhibition aims to raise awareness of this exact problem that teenagers are faced with everyday and the repetition of my pieces show the repetitive way that an illness works on your mind, always the same details but in another setting.
Antlers in Between Worlds (December 2021)
Ceramics
21 x 10 x 22cm
Antlers in between worlds was inspired by a sculpture made by Clara Meneres in limestone rock, that represents the torso of a poet named Luiz Vaz de Camões, with the purpose to honour Portugal’s greatest poet. I used clay to make this sculpture, and kept an abstract aspect and to keep the psychedelic theme that I had set. I inspired myself with the shapes used in the sides of the sculpture and I related it to an antler. I then created my piece with the mindset of keeping an antler shape.
Addiction to Numbness (April 2022)
Paint, Faux Fur
68 x 40cm
Addiction to Numbness is inspired by Wassily Kandisky Composition VII, for the abstract background: and I inspired myself with Chuck Close's Big portrait, where he used acrylic on canvas to create a realistic black and white drawing. I also used my recurrent theme of addiction. I wanted to create a contrast between the photorealistic woman and the abstract background, and also make the texture of the smoke of the cigarette stand out more.
























